Best Picture:

Spotlight
The Big Short
The Revenant
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
Room







Best Actress:

Brie Larson, Room
Cate Blanchett, Carol
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn







Best Actor:

Leonardo DiCaprio, The Revenant
Bryan Cranston, Trumbo
Matt Damon, The Martian
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl







Best Supporting Actress:

Alicia Vikander, The Danish Girl
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Rachel McAdams, Spotlight
Kate Winslet, Steve Jobs






Best Supporting Actor:

Mark Rylance, Bridge of Spies
Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Sylvester Stallone, Creed







Best Director:

Alejandro G. Inarritu, The Revenant
Lenny Abrahamson, Room
Tom McCarthy, Spotlight
Adam McKay, The Big Short
George Miller, Mad Max: Fury Road







Best Animated Film:

Inside Out
Anomalisa
Boy And The World
Shaun The Sheep Movie
When Marnie Was There







Best Short Animated Film:

Bear Story
Prologue
Sanjay’s Super Team
We Can’t Live Without Cosmos
World of Tomorrow







Best Short Live Film:

Stutterer
Ave Maria
Day One
Everything Will Be OK
Shock







Best Foreign Language Film:

Son of Saul (Hungary)
Embrace of the Serpent (Colombia)
Mustang (France)
Theeb (Jordan)
A War (Denmark)







Best Costume Design:

Mad Max: Fury Road
Carol
Cinderella
The Danish Girl
The Revenant







Best Makeup and Hair Styling:

Mad Max: Fury Road
The 100-Year-Old Man Who Climbed out the Window and Disappeared
The Revenant







Best Cinematography:

The Revenant
Carol
The Hateful Eight
Mad Max: Fury Road
Sicario







Best Editing:

Mad Max: Fury Road
The Big Short
The Revenant
Spotlight
Star Wars: The Force Awakens







Best Sound Editing:

Mad Max: Fury Road
The Martian
The Revenant
Sicario
Star Wars: The Force Awakens







Best Sound Mixing:

Mad Max: Fury Road
Bridge of Spies
The Martian
The Revenant
Star Wars: The Force Awakens







Best Production Design:

Mad Max: Fury Road
Bridge of Spies
The Danish Girl
The Martian
The Revenant







Best Visual Effects:

Ex Machina
Mad Max: Fury Road
The Martian
The Revenant
Star Wars: The Force Awakens







Best Writing (Original Screenplay):

Spotlight — Tom McCarthy and Josh Singer
Inside Out — Pete Docter, Meg LeFauve, Josh Cooley
Bridge of Spies — Matt Charman, Joel & Ethan Coen
Straight Outta Compton — Jonathan Herman and Andrea Berloff
Ex Machina — Alex Garland







Best Writing (Adapted Screenplay):

The Big Short — Adam McKay and Charles Randolph
Brooklyn — Nick Hornby
Carol — Phyllis Nagy
Room — Emma Donoghue
The Martian — Drew Goddard






Best Documentary (Long):

Amy
Cartel Land
The Look of Silence
What Happened, Miss Simone
Winter On Fire: Ukraine







Best Documentary (Short):

A Girl in the River: The Price of Forgiveness
Body Team 12
Chau, Bbeyond the Lines
Claude Lanzmann: Spectres of the Shoah
Last Day of Freedom







Best Music (Original Score):

The Hateful Eight
Bridge of Spies
Carol
Sicario
Star Wars: The Force Awakens






Best Music (Original Song):

“Writing’s on the Wall” by Jimmy Napes and Sam Smith
Spectre


“Earned It” by The Weeknd
50 Shades of Grey


“Manta Ray” by Antony Hegarty and J. Ralph
Racing Extinction


“Simple Song #3” by David Lang
Youth


“Til It Happens to You” by Lady Gaga and Diane Warren
The Hunting Ground

DiCaprio and Larson are pretty much locked down for the wins.

While many seem to be playing the race card saying that Idris Elba was intentionally snubbed in the Supporting Actor category, I think Jacob Tremblay was far more snubbed. I think Rylance or Stallone will get it, but my preference is Ruffalo. He is far and away one of the best actors of our time.

Kate Winslet has a good shot at Supporting Actress, but I'd prefer it to be Jennifer Jason Leigh or Alicia Vikander. Both gave superior performances.

I was a bit surprised by the Ridley Scott snub. Prior to The Revenant's release, I thought Spotlight for sure had Best Picture. I now think The Revenant is the one to beat.

While it is completely DiCaprio's year to win and he is no doubt the frontrunner, I would personally love for Eddie Redmayne to take it again. I'm a huge fan of his, and his performance was the strongest in the category.

^ Winners above in bold.

I'm so glad Disney's Inside Out won the Oscar for Best Animated Movie because I fell in love with Disney's Inside Out when it came out and it's such a cute movie and i'm happy that it won an Oscar. Disney has done it again at The Oscars,
Bestie

http://www.slate.com/blogs/browbeat/2016/02/29/chris_rock_couldn_t_have_done_a_better_job_hosting_the_2016_oscars_amid.html

"Rock (http://www.hollywoodreporter.com/news/bill-carter-oscarssowhite-chris-rock-867993) approached his hosting gig (http://www.gq.com/story/oscars-2016-chris-rock) with grander ambitions than being a solution to the academy’s PR problems,” says Willa Paskin. "Rock did not just give an edgy monologue about race to a largely white audience tittering uncomfortably and leave it at that, inoculating the academy and its attendees from the charge of being totally out of touch while allowing them to go on with business as usual after 10 minutes of razzing. Instead, the monologue was just the beginning. Rock proceeded to raise the issue of #OscarsSoWhite throughout the night in funny, provoking, and lively ways. He ensured that the academy stayed on the hook, instead of helping them get off of it.” PLUS: It was a not-boring “hot mess” (http://www.latimes.com/entertainment/envelope/la-et-mn-oscars-tv-review-20160229-column.html) of a show that, "nakedly and unapologetically, attempted to do something other than hand out a bunch of gold statues,” it was a lucky pairing of host and subject (https://t.co/i4HJMQqwTL), Rock’s hosting fell apart (http://time.com/4240722/oscars-2016-review-chris-rock/) after that great monologue, Rock’s “medicine” could’ve been stronger (https://www.washingtonpost.com/entertainment/tv/chris-rock-delivered-the-medicine-to-a-so-white-oscars-but-was-it-strong-enough/2016/02/28/d7567c78-de71-11e5-9c36-e1902f6b6571_story.html) in a crossing-the-line way, Rock’s monologue was strong enough (http://www.newyorker.com/culture/culture-desk/chris-rocks-oscars) to ricochet through the entire evening, Rock gave the film industry a spanking (http://blogs.denverpost.com/ostrow/2016/02/28/24149/24149/), the introduction of the thank-you scroll proved idiotic, Rock also interviewed black moviegoers (https://www.youtube.com/watch?v=JerPfHYro1U) for 2005 Oscars, here is all the bloat (http://www.hitfix.com/whats-alan-watching/review-chris-rock-dives-into-oscarssowhite-controversy-as-academy-awards-host) that let the Oscars run 30 minutes long, and Oscars fell to a 8-year ratings (http://deadline.com/2016/02/oscars-tv-ratings-2106-viewers-chris-rock-abc-1201711309/) low based on early numbers.

http://splitsider.com/2016/02/rob-corddrys-childrens-hospital-is-now-the-king-of-accurate-oscar-predictions/

Check out what Rob Corddry says was filmed on Saturday.