TMC
05-15-2015, 02:06 AM
http://www.scriptmag.com/features/specs-city-story-tone-batman
Created by Bob Kane in 1939, the tone of what constitutes a Batman story has changed consistently with the times. But, let’s just focus on the one’s we’ve seen on screen; the versions of Batman that most people are generally aware of.
Adam West – Campy Batman
BAM. POW. BOFF. The 60’s were a serious time in the real world. TV was an escape for people, and so West’s Batman represented the same kind of kitschy fantasy you found on I Dream of Jeannie, Bewitched, and most of the other popular shows of the time. It didn’t take itself too seriously, and invited the audience to come along for the ride.
Michael Keaton – Offbeat Batman
Keaton’s Batman, as directed by Tim Burton, was a little ahead of its time. We were about to enter the era of grunge, and Gen X, and this version of the caped crusader tapped into that. To a degree, it’s more of a statement about Burton than the times, a vision of a hero through a cracked mirror.
Val Kilmer – Transitional Batman
A lot of you probably just said, “Oh man, I’d totally forgotten that Val Kilmer was Batman!” I’m including him here for the sake of completion, but Kilmer’s which came out in 1995, feels like a Dear John letter to Batman fans. Joel Schumacher knew he was going to break up with Burton’s version of Batman, but he wasn’t quite sure how to tell us yet. Unfortunately for us all, he figured it out.
George Clooney – Self-Parody Batman
With Schumacher fully in creative control, and the backlash against the dark, gritty, dirty era of the early ‘90’s in full swing, we got…bat-nipples…and Alicia Silverstone as Bat Girl. The serpent had completely swallowed its tail, and the character had become a joke, but without the knowing wink to the audience that Adam West’s version had.
Christian Bale – Grounded-in-Reality Batman
Post 9/11, audiences were no longer interested in happy-go-lucky super-hero capers. The world was full of real danger, real villains, and we needed a Batman that lived and breathed in that world. To paraphrase, Christopher Nolan and Christian Bale gave us the Batman we wanted, not the Batman we deserved. Devoid all anything resembling frivolity, this most recent version of Batman struck a serious tone that resonated with movie-goers in desperate need of a hero.
Ben Affleck – ???
We still don’t know how Ben Affleck’s Batman will differ from his predecessors, but you can rest assured, it will. The country is in a different place now than it was, even a few years ago (when tonal fatigue led to lack-luster reviews of The Dark Knight Returns and an embracement of fun with The Avengers), and this new Batman will strike a tone all its own.
So pay attention to the tone you’re establishing in your screenplay, and make sure you’re telling the story you really want to tell.
- See more at: http://www.scriptmag.com/features/specs-city-story-tone-batman#sthash.29fAt5hZ.dpuf
Created by Bob Kane in 1939, the tone of what constitutes a Batman story has changed consistently with the times. But, let’s just focus on the one’s we’ve seen on screen; the versions of Batman that most people are generally aware of.
Adam West – Campy Batman
BAM. POW. BOFF. The 60’s were a serious time in the real world. TV was an escape for people, and so West’s Batman represented the same kind of kitschy fantasy you found on I Dream of Jeannie, Bewitched, and most of the other popular shows of the time. It didn’t take itself too seriously, and invited the audience to come along for the ride.
Michael Keaton – Offbeat Batman
Keaton’s Batman, as directed by Tim Burton, was a little ahead of its time. We were about to enter the era of grunge, and Gen X, and this version of the caped crusader tapped into that. To a degree, it’s more of a statement about Burton than the times, a vision of a hero through a cracked mirror.
Val Kilmer – Transitional Batman
A lot of you probably just said, “Oh man, I’d totally forgotten that Val Kilmer was Batman!” I’m including him here for the sake of completion, but Kilmer’s which came out in 1995, feels like a Dear John letter to Batman fans. Joel Schumacher knew he was going to break up with Burton’s version of Batman, but he wasn’t quite sure how to tell us yet. Unfortunately for us all, he figured it out.
George Clooney – Self-Parody Batman
With Schumacher fully in creative control, and the backlash against the dark, gritty, dirty era of the early ‘90’s in full swing, we got…bat-nipples…and Alicia Silverstone as Bat Girl. The serpent had completely swallowed its tail, and the character had become a joke, but without the knowing wink to the audience that Adam West’s version had.
Christian Bale – Grounded-in-Reality Batman
Post 9/11, audiences were no longer interested in happy-go-lucky super-hero capers. The world was full of real danger, real villains, and we needed a Batman that lived and breathed in that world. To paraphrase, Christopher Nolan and Christian Bale gave us the Batman we wanted, not the Batman we deserved. Devoid all anything resembling frivolity, this most recent version of Batman struck a serious tone that resonated with movie-goers in desperate need of a hero.
Ben Affleck – ???
We still don’t know how Ben Affleck’s Batman will differ from his predecessors, but you can rest assured, it will. The country is in a different place now than it was, even a few years ago (when tonal fatigue led to lack-luster reviews of The Dark Knight Returns and an embracement of fun with The Avengers), and this new Batman will strike a tone all its own.
So pay attention to the tone you’re establishing in your screenplay, and make sure you’re telling the story you really want to tell.
- See more at: http://www.scriptmag.com/features/specs-city-story-tone-batman#sthash.29fAt5hZ.dpuf