TMC
03-03-2015, 07:09 PM
http://io9.com/what-if-gotham-is-actually-a-prequel-to-the-1960s-batma-1689145092?utm_campaign=socialflow_io9_facebook&utm_source=io9_facebook&utm_medium=socialflow
Watching Gotham continue its complete and utter lunacy in "Everyone Has a Cobblepot" last night, I was struck with a single, amazing thought. What if Gotham is an origin story not for regular Batman, but for the old Batman TV show from the '60s? Because the ridiculousness is reaching that level.
In fact, there are only two major differences between Gotham and Batman '66 that I can see. 1) Gotham has a lot more violence, which we can easily chock up to airing in 2015 instead of 1966, and 2) there's no alliteration-loving narrator (which, now that I've realized this, Gotham sorely needs). Anyways, check out what happened in last night's episode, and tell me if it doesn't sound like a toned-down, G-rated version could have happened in the legendarily campy '60s show:
Flass, the cop who murdered the witness a few episodes back, goes free thanks to Commissioner Loeb and the dirt he has on Bullock, which he uses to force Bullock to recant his testimony. (Loeb tapes Bullock's "confession" and even has it cued up for Gordon's inevitable arrival.) When Gordon asks why, Bullock reveals everyone in the department "has a Cobblepot" — someone they metaphorically or literally walked to the end of a pier and murdered. As commissioner, Loeb has forced his officers to force young officers to commit these crimes, so he has dirt on all of them. It's a simple but effective plan to maintain control.
So Gordon decides he's going to find this group of blackmail files and destroy Loeb's leverage. After a completely unnecessary detour/gunfight at a Chinese bookie's hideout, Bullock, Loeb's old partner, who reveals that Loeb keeps his secrets with Falcone. Gordon is forced to make yet another deal with the penguin-y devil, and promises Cobblepot that he can have five minutes alone with the files if he can locate them. Oswald suggests a farm Falcone has once mentioned as "safe" — because why wouldn't it be the first location Cobblepot thinks of — and then it's time for a road trip!
The farm is maintained by a kindly old couple who, it should go without saying, pull out guns and start firing once they realize Gordon and friends aren't working for Loeb or Falcone. Not only does Gotham pull the old "kindly old people as secret evil killers" trope, the woman is inexplicably dressed like she stepped off the Little House on the Prairie set, just for good measure. A silly gunfight ensues, and Bullock and Gordon head into the attic, where they don't find a pile of blackmail material. Instead, they discover Miriam Loeb, the Commissioner's crazy daughter, who killed her mother 20 years ago. Loeb's hidden her away, Jane Eyre-style, where she can murder starlings and make completely awful jewelry out of their bones in peace.
Much like Batman '66, any attempt to bring logic to this scenario utterly annihilates it. So you can't. You just have to accept this is how things work on Gotham, much like villains were always able to hire groups of thugs and dress them in thematically appropriate uniforms on Batman '66. Of course when his daughter kills his wife, Loeb's best solution is to contact the crime boss Falcone, and store her in an attic somewhere for two decades as opposed to getting her help. (Question: Why is it necessary to keep her in the attic? She's in a farm in the middle of nowhere. Why can't she have the run of the house? Couldn't Loeb have hidden her in a place that would give her slightly better accommodations?)
When Gordon discovers Loeb's secret, he has no compunction about immediately using it to blackmail Loeb into retrying Flass for his crimes, backing Gordon's run as president of the police union, and giving up Bullock's file o' dirt. Actually, Gordon asks for the files of everyone on the GCPD, and Loeb says no, partially because Loeb doesn't want to be killed, and partially because Gordon is a pitiful negotiator. Gordon counts it as a good day's work, but Bullock reminds him that it rarely pays to do bad things for the greater good… of course, he's not talking about Gordon blackmailing Loeb with the fate of his mentally disturbed daughter, that's totally fine, but that favor he now owes the Penguin? That's going to come back to bite him. Hard. Maybe. It's Gotham. Who the hell knows?
All I know is that both Gotham and Batman '66 are two completely silly series that make a token effort at appearing to take themselves seriously despite the ridiculous things that they show. I mean, I could see either TV show having the Penguin tell an elderly couple on the run only one of them can escape Gotham City, solely to watch the wife immediately betray her husband. The only difference between Batman '66 and Gotham is that in Batman '66, the wife would get caught by Chief O'Hara on the train out of town; in Gotham, the woman strangles her husband, and then Penguin shoots her anyways.
Plus, if Gotham is a prequel to the 1960s Batman TV series, we'd finally have an answer to one of the show's most baffling mysteries… what the hell is Barbara doing?! Answer: Having her psyche crushed until she has a complete psychotic break, an entirely new personality emerges:
Watching Gotham continue its complete and utter lunacy in "Everyone Has a Cobblepot" last night, I was struck with a single, amazing thought. What if Gotham is an origin story not for regular Batman, but for the old Batman TV show from the '60s? Because the ridiculousness is reaching that level.
In fact, there are only two major differences between Gotham and Batman '66 that I can see. 1) Gotham has a lot more violence, which we can easily chock up to airing in 2015 instead of 1966, and 2) there's no alliteration-loving narrator (which, now that I've realized this, Gotham sorely needs). Anyways, check out what happened in last night's episode, and tell me if it doesn't sound like a toned-down, G-rated version could have happened in the legendarily campy '60s show:
Flass, the cop who murdered the witness a few episodes back, goes free thanks to Commissioner Loeb and the dirt he has on Bullock, which he uses to force Bullock to recant his testimony. (Loeb tapes Bullock's "confession" and even has it cued up for Gordon's inevitable arrival.) When Gordon asks why, Bullock reveals everyone in the department "has a Cobblepot" — someone they metaphorically or literally walked to the end of a pier and murdered. As commissioner, Loeb has forced his officers to force young officers to commit these crimes, so he has dirt on all of them. It's a simple but effective plan to maintain control.
So Gordon decides he's going to find this group of blackmail files and destroy Loeb's leverage. After a completely unnecessary detour/gunfight at a Chinese bookie's hideout, Bullock, Loeb's old partner, who reveals that Loeb keeps his secrets with Falcone. Gordon is forced to make yet another deal with the penguin-y devil, and promises Cobblepot that he can have five minutes alone with the files if he can locate them. Oswald suggests a farm Falcone has once mentioned as "safe" — because why wouldn't it be the first location Cobblepot thinks of — and then it's time for a road trip!
The farm is maintained by a kindly old couple who, it should go without saying, pull out guns and start firing once they realize Gordon and friends aren't working for Loeb or Falcone. Not only does Gotham pull the old "kindly old people as secret evil killers" trope, the woman is inexplicably dressed like she stepped off the Little House on the Prairie set, just for good measure. A silly gunfight ensues, and Bullock and Gordon head into the attic, where they don't find a pile of blackmail material. Instead, they discover Miriam Loeb, the Commissioner's crazy daughter, who killed her mother 20 years ago. Loeb's hidden her away, Jane Eyre-style, where she can murder starlings and make completely awful jewelry out of their bones in peace.
Much like Batman '66, any attempt to bring logic to this scenario utterly annihilates it. So you can't. You just have to accept this is how things work on Gotham, much like villains were always able to hire groups of thugs and dress them in thematically appropriate uniforms on Batman '66. Of course when his daughter kills his wife, Loeb's best solution is to contact the crime boss Falcone, and store her in an attic somewhere for two decades as opposed to getting her help. (Question: Why is it necessary to keep her in the attic? She's in a farm in the middle of nowhere. Why can't she have the run of the house? Couldn't Loeb have hidden her in a place that would give her slightly better accommodations?)
When Gordon discovers Loeb's secret, he has no compunction about immediately using it to blackmail Loeb into retrying Flass for his crimes, backing Gordon's run as president of the police union, and giving up Bullock's file o' dirt. Actually, Gordon asks for the files of everyone on the GCPD, and Loeb says no, partially because Loeb doesn't want to be killed, and partially because Gordon is a pitiful negotiator. Gordon counts it as a good day's work, but Bullock reminds him that it rarely pays to do bad things for the greater good… of course, he's not talking about Gordon blackmailing Loeb with the fate of his mentally disturbed daughter, that's totally fine, but that favor he now owes the Penguin? That's going to come back to bite him. Hard. Maybe. It's Gotham. Who the hell knows?
All I know is that both Gotham and Batman '66 are two completely silly series that make a token effort at appearing to take themselves seriously despite the ridiculous things that they show. I mean, I could see either TV show having the Penguin tell an elderly couple on the run only one of them can escape Gotham City, solely to watch the wife immediately betray her husband. The only difference between Batman '66 and Gotham is that in Batman '66, the wife would get caught by Chief O'Hara on the train out of town; in Gotham, the woman strangles her husband, and then Penguin shoots her anyways.
Plus, if Gotham is a prequel to the 1960s Batman TV series, we'd finally have an answer to one of the show's most baffling mysteries… what the hell is Barbara doing?! Answer: Having her psyche crushed until she has a complete psychotic break, an entirely new personality emerges: