TMC
02-15-2014, 06:45 AM
This is of course, an immediate follow up to my thread regarding when the '80s officially ended from a pop culture standpoint. I do think that the combination of the election of George W. Bush as president and the 9/11 terrorist attacks was really the beginning of a cultural shift (at least geo-politically). The weird thing about 9/11 is that you can make a fair argument that it really effect our popular culture too. Basically, hereas before 9/11, villains in movies, novels, comics, video game, and TV shows, were more frequently motivated by material things like money or power. However after 9/11, a lot of villains seemed to be inspired (for instance, Christopher Nolan's Batman trilogy) by or were flat-out real-life terrorist groups, tended to fight for ideals (like terrorists do).
I've heard the argument that the year 2002 marked the true beginning of a major pop cultural shift. At least from a TV standpoint, 2002 was the year that The Wire premiered (which arguably marked the beginning the emerging "Golden Age of dramas" on television), American Idol premiered (and thus brings the talent show back to mainstream attention), the USA Network scores perhaps its first real mainstream critical successes with Monk and Dead Zone, 24's counter terrorism storylines cement it as one of the earliest relevant post 9/11 dramas, and Star Trek's contemporary credibility and relevance were wiped away via the dubious Nemesis film, and the critically/commercially under-performing Enterprise (particularly "A Night in Sickbay").
I've heard the argument that the year 2002 marked the true beginning of a major pop cultural shift. At least from a TV standpoint, 2002 was the year that The Wire premiered (which arguably marked the beginning the emerging "Golden Age of dramas" on television), American Idol premiered (and thus brings the talent show back to mainstream attention), the USA Network scores perhaps its first real mainstream critical successes with Monk and Dead Zone, 24's counter terrorism storylines cement it as one of the earliest relevant post 9/11 dramas, and Star Trek's contemporary credibility and relevance were wiped away via the dubious Nemesis film, and the critically/commercially under-performing Enterprise (particularly "A Night in Sickbay").