Brian Damage
03-08-2011, 11:10 PM
Q: What was the experience like of taking your beloved character of Lou Grant from the realm of comedy into a dramatic series?
A: “The Mary Tyler Moore Show” was always a joy, always fun. It was the top of the world. It was a phenomenally easy schedule and very rewarding to perform those wonderful scripts in front of that audience. “Lou Grant” became work, hard work. No live audience, single camera, and still an occasional attempt to get a laugh, which would not be rewarded with a response. It took a good long while for people to accept the show because no one had gone from being a comedic actor, supposedly, to a dramatic actor. So we tried to create a so-called dramedy with “Lou Grant.” Mostly, though, it dealt with the issues that [the characters] were covering. No show had ever succeeded in portraying the daily [creation] of a newspaper before, and I think we did that. When we presented the issues, we presented them while giving a nod to the opposing side, which I think was fairly rare as well. I asked Allan Burns and Jim Brooks, the producers of “Mary Tyler Moore,” to be my producers on “Lou Grant,” and they accepted. It was their decision to go where no man or woman had trod before, and where no one will tread again — taking a character from a half-hour comedy into an hour-long drama.
http://www.thewoodstockindependent.com/news/story.php?id=823
http://www.bookotron.com/agony/images/2004/04-columns/10-25-04/lou_grant.jpg
A: “The Mary Tyler Moore Show” was always a joy, always fun. It was the top of the world. It was a phenomenally easy schedule and very rewarding to perform those wonderful scripts in front of that audience. “Lou Grant” became work, hard work. No live audience, single camera, and still an occasional attempt to get a laugh, which would not be rewarded with a response. It took a good long while for people to accept the show because no one had gone from being a comedic actor, supposedly, to a dramatic actor. So we tried to create a so-called dramedy with “Lou Grant.” Mostly, though, it dealt with the issues that [the characters] were covering. No show had ever succeeded in portraying the daily [creation] of a newspaper before, and I think we did that. When we presented the issues, we presented them while giving a nod to the opposing side, which I think was fairly rare as well. I asked Allan Burns and Jim Brooks, the producers of “Mary Tyler Moore,” to be my producers on “Lou Grant,” and they accepted. It was their decision to go where no man or woman had trod before, and where no one will tread again — taking a character from a half-hour comedy into an hour-long drama.
http://www.thewoodstockindependent.com/news/story.php?id=823
http://www.bookotron.com/agony/images/2004/04-columns/10-25-04/lou_grant.jpg