Brian Damage
07-26-2009, 11:37 AM
'Heroes'
The beginning of the series had comic diehards and fanboys nervously questioning a superhero show for the public airing on a broadcast network. It ended up succeeding- for awhile. Now ridiculous storylines and backtracking character plots have the series barely treading water trying to stay afloat in their own convoluted narrative.
'NCIS: Los Angeles'
This show, as stated before in our recap of a two parter of last season's 'NCIS', should never even have been greenlighted. While 'NCIS' was a successful spin-off of 'JAG', this looks like an abomination. It jumped its own shark when the new cast guest starred on 'NCIS'. All of the characters are two dimensional and extremely bland. While this spin-off universe almost worked for 'CSI' with 'CSI New York' and 'CSI Miami', it is time to give location spin-offs a place in TV graveyards.
'Ghost Whisperer'
There is no specific episode that pinpoints where this series jumped the shark, but instead we find that the fact it stayed so far under the radar, we didn't even know it was still on the air, is a big indicator.
'24'
The problem with '24', as many experts have mentioned, is a reverse issue. The show is television's version of 'Die Hard' in many ways, and wouldn't work if it didn't jump the shark on an episodic basis. Too much action, and the constant breakage of the suspension of disbelief are concepts that the show thrives upon. When is enough, enough? We would have said this past season. However, Katee Sackhoff, formerly of 'Battlestar Galactica' has joined in for the new season, so we have to trudge forward.
'Two and a Half Men'
This show is one of the very few remaining in three-camera production format ('How I Met Your Mother' is another) and is a good example of why this particular format is on its deathbed. This show jumped the shark when the funny little kid, the only solid character outside of appearances by Holland Taylor, Jane Lynch, and Melanie Lynskey, stopped being funny. Jane Lynch ('Glee', 'Party Down') is an actress with such a unique sense of comedic timing and humor she typically is the acting version of CPR. Not even she can save this show.
http://www.starpulse.com/news/index.php/2009/07/15/tv_shows_on_the_verge_of_jumping_the_sha
The beginning of the series had comic diehards and fanboys nervously questioning a superhero show for the public airing on a broadcast network. It ended up succeeding- for awhile. Now ridiculous storylines and backtracking character plots have the series barely treading water trying to stay afloat in their own convoluted narrative.
'NCIS: Los Angeles'
This show, as stated before in our recap of a two parter of last season's 'NCIS', should never even have been greenlighted. While 'NCIS' was a successful spin-off of 'JAG', this looks like an abomination. It jumped its own shark when the new cast guest starred on 'NCIS'. All of the characters are two dimensional and extremely bland. While this spin-off universe almost worked for 'CSI' with 'CSI New York' and 'CSI Miami', it is time to give location spin-offs a place in TV graveyards.
'Ghost Whisperer'
There is no specific episode that pinpoints where this series jumped the shark, but instead we find that the fact it stayed so far under the radar, we didn't even know it was still on the air, is a big indicator.
'24'
The problem with '24', as many experts have mentioned, is a reverse issue. The show is television's version of 'Die Hard' in many ways, and wouldn't work if it didn't jump the shark on an episodic basis. Too much action, and the constant breakage of the suspension of disbelief are concepts that the show thrives upon. When is enough, enough? We would have said this past season. However, Katee Sackhoff, formerly of 'Battlestar Galactica' has joined in for the new season, so we have to trudge forward.
'Two and a Half Men'
This show is one of the very few remaining in three-camera production format ('How I Met Your Mother' is another) and is a good example of why this particular format is on its deathbed. This show jumped the shark when the funny little kid, the only solid character outside of appearances by Holland Taylor, Jane Lynch, and Melanie Lynskey, stopped being funny. Jane Lynch ('Glee', 'Party Down') is an actress with such a unique sense of comedic timing and humor she typically is the acting version of CPR. Not even she can save this show.
http://www.starpulse.com/news/index.php/2009/07/15/tv_shows_on_the_verge_of_jumping_the_sha