Janice
06-04-2004, 01:19 PM
Good to the last bullet: `The Sopranos' has made a killing this season
Is David Chase preparing "Sopranos'' fans for the day when the mob drama is officially iced?
What other explanation could there be for this penultimate season's litany of dramatic chills?
From Tony's (James Gandolfini) therapeutic epiphanies - and complete disregard thereof - to cousin Tony Blundetto's (Steve Buscemi) abrupt and wholehearted return to crime to the outing of Vito Spatafore (Joseph Gannascoli) and the whacking of Christopher's fiancee Adriana (Drea de Matteo), creator and executive producer Chase packed the season with drama and intrigue - and, for the people who want it, a body count.
The fifth season of HBO's premier water-cooler series comes to a close Sunday at 9; the series will sleep with the fishes after concluding a truncated 10-episode run sometime next year.
If the demise of Ralph Cifaretto (Joe Pantoliano) cast a pall of depressing inevitability and repetition over season four, the beauty of season five has been Chase's ability to infuse even the predictable moments with elements of surprise while simultaneously revealing the deep flaws and duplicitous natures of almost every single character. In short, there were fewer Columbus Day-style tangents, and the show was better for it.
The season began with Tony coping with the fallout of his separation from Carmela (Edie Falco) and the paroled mobsters returning to their crime families, including cousin Tony, the brilliantly acerbic Buscemi.
We all knew lovable dimwit Adriana was not long for this world after confessing to Christopher (Michael Imperioli) that she was an FBI informant, but it was an ingenious move to have Silvio (Steven Van Zandt) serve as the triggerman. It deftly reminded viewers who have cozied up to this ostensibly likable, often comic character that he is as cold-blooded as his partners.
(Diehard Ade fans continue to hold out hope for her resurrection as the teaser for Sunday mentions a "surprise'' visitor for Christopher.)
It also seemed a foregone conclusion that Tony and Carmela would reconcile, but if anyone's treachery has been spotlighted this year, it has been this superficially long-suffering wife. Gone is the hand-wringing and spiritual tumult of seasons past. First she spun her sexual web around A.J.'s school counselor Wegler (David Strathairn) to boost her dim son's college prospects. After his blisteringly accurate appraisal of her manipulation, she turned on a dime and threatened him and then negotiated Tony's return to the tune of a $600,000 plot of land. And when her own mother turned up her nose at Tony, Carmela defended him and, by extension, her own choices fiercely.
With Dr. Melfi (Lorraine Bracco), Tony made breakthroughs in recognizing the roots of his depression, his short fuse and his father’s culpability in shaping him. That he then chose to neglect and then physically threaten his son A.J. (Robert Iler), drive his sister Janice (Aida Turturro) to the brink of mania and proclaim his ailing Uncle Junior (Dominic Chianese) as "dead to me'' underscored his primal maliciousness in disturbing new ways.
If anyone got short shrift this season, it was Melfi and Soprano daughter Meadow (Jamie-Lynn DiScala). But even in a brief appearance, Meadow was true to her roots as she manipulated boyfriend Finn (Will Janowitz).
What happens on Sunday's finale, titled "All Due Respect,'' is anybody's guess. But given Tony's blunt rebuke of Johnny Sack (Vincent Curatola) regarding cousin Tony's whereabouts, it's a good bet that violence will be involved and that "Respect'' must be paid - both to Tony and creator David Chase.
By Sarah Rodman
The Boston Herald
Is David Chase preparing "Sopranos'' fans for the day when the mob drama is officially iced?
What other explanation could there be for this penultimate season's litany of dramatic chills?
From Tony's (James Gandolfini) therapeutic epiphanies - and complete disregard thereof - to cousin Tony Blundetto's (Steve Buscemi) abrupt and wholehearted return to crime to the outing of Vito Spatafore (Joseph Gannascoli) and the whacking of Christopher's fiancee Adriana (Drea de Matteo), creator and executive producer Chase packed the season with drama and intrigue - and, for the people who want it, a body count.
The fifth season of HBO's premier water-cooler series comes to a close Sunday at 9; the series will sleep with the fishes after concluding a truncated 10-episode run sometime next year.
If the demise of Ralph Cifaretto (Joe Pantoliano) cast a pall of depressing inevitability and repetition over season four, the beauty of season five has been Chase's ability to infuse even the predictable moments with elements of surprise while simultaneously revealing the deep flaws and duplicitous natures of almost every single character. In short, there were fewer Columbus Day-style tangents, and the show was better for it.
The season began with Tony coping with the fallout of his separation from Carmela (Edie Falco) and the paroled mobsters returning to their crime families, including cousin Tony, the brilliantly acerbic Buscemi.
We all knew lovable dimwit Adriana was not long for this world after confessing to Christopher (Michael Imperioli) that she was an FBI informant, but it was an ingenious move to have Silvio (Steven Van Zandt) serve as the triggerman. It deftly reminded viewers who have cozied up to this ostensibly likable, often comic character that he is as cold-blooded as his partners.
(Diehard Ade fans continue to hold out hope for her resurrection as the teaser for Sunday mentions a "surprise'' visitor for Christopher.)
It also seemed a foregone conclusion that Tony and Carmela would reconcile, but if anyone's treachery has been spotlighted this year, it has been this superficially long-suffering wife. Gone is the hand-wringing and spiritual tumult of seasons past. First she spun her sexual web around A.J.'s school counselor Wegler (David Strathairn) to boost her dim son's college prospects. After his blisteringly accurate appraisal of her manipulation, she turned on a dime and threatened him and then negotiated Tony's return to the tune of a $600,000 plot of land. And when her own mother turned up her nose at Tony, Carmela defended him and, by extension, her own choices fiercely.
With Dr. Melfi (Lorraine Bracco), Tony made breakthroughs in recognizing the roots of his depression, his short fuse and his father’s culpability in shaping him. That he then chose to neglect and then physically threaten his son A.J. (Robert Iler), drive his sister Janice (Aida Turturro) to the brink of mania and proclaim his ailing Uncle Junior (Dominic Chianese) as "dead to me'' underscored his primal maliciousness in disturbing new ways.
If anyone got short shrift this season, it was Melfi and Soprano daughter Meadow (Jamie-Lynn DiScala). But even in a brief appearance, Meadow was true to her roots as she manipulated boyfriend Finn (Will Janowitz).
What happens on Sunday's finale, titled "All Due Respect,'' is anybody's guess. But given Tony's blunt rebuke of Johnny Sack (Vincent Curatola) regarding cousin Tony's whereabouts, it's a good bet that violence will be involved and that "Respect'' must be paid - both to Tony and creator David Chase.
By Sarah Rodman
The Boston Herald