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My Name is Earl aired from September 2005 until ? on NBC.
A seedy ne'er do well won the lottery and tried to use the money to atone for his past mistakes in this cartoonish trailer-trash comedy. Earl ( Jason Lee) was a petty thief who was lazy and unkempt but had a wry sense of humor. The first thing that happened after he scratched off the lottery ticket and discovered that he'd won $100,000 was that he got hit by a car and lost the ticket. While recuperating he happened to see Carson Daly on television saying, " Do good things and good things happen to you," and he had an epiphany; maybe he should start making amends for the 259 bad things he'd done to people during his life so far. As soon as he started ( by apologizing to the nerd he'd bullied in grade school) the ticket reappeared-it worked!
Randy ( Ethan Suplee) was Earl's dumb, layabout brother and sidekick with whom he lived in a tacky motel ; Joy ( Jaime Pressly) his selfish sexpot ex, who even though she dumped him wanted half the money; and Darnell ( Eddie Steeples)his frizzy-haired African-American friend, who was Joy's new boyfriend. Darnell ( " Crab Man") ran the Crab Shack where Earl Guzzled beer. Catalina ( Nadine Velazquez) was Randy's trampy Latin girlfriend , a stripper. Lots of nutty characters appeared as Earl worked through his list of things to fix, including Willie the One-Eyed Mailman, Electrolarynx Guy, Nescobar-A-Lop-Lop and Didi the One-Legged Girl. Joy eventually married Darnell after having his baby, who she called Earl, Jr. , and Randy married Catalina so she wouldn't be deported.
A Review from Variety
My Name is Earl
(Series -- NBC, Tue. Sept. 20, 9 p.m.)
By BRIAN LOWRY
Filmed in Los Angeles by Amigos de Garcia in association with 20th Century Fox Television. Executive producers, Greg Garcia, Marc Buckland; co-executive producers, Bobby Bowman, Barbie Adler; supervising producer, Brad Copeland; producers, Jason Lee, Mike Pennie, Henry Lange Jr.; co-producers, Danielle Sanchez-Witzel, Kat Likkel, John Hoberg; director, Buckland; writer, Garcia.
Earl - Jason Lee
Randy - Ethan Suplee
Joy - Jaime Pressly
Darnell - Eddie Steeples
Catalina - Nadine Velazquez
Being funny is always a good place for a comedy to start, but when the title character is a crooked lowlife suddenly overwhelmed by the redemptive notion of karma, there's reason to fear that might not be enough. Blessed less with belly laughs than an amusingly wry tone, this single-camera half-hour disarmingly focuses on an underclass that seldom gets much attention in the neatly manicured world of primetime. Yet NBC has done this promising series no favors by asking it to be a self-starter, underscoring the deep state of disrepair into which the net's comedy footprint has fallen.
Then again, the advance critical euphoria surrounding "My Name Is Earl" and a few other new sitcoms this fall actually relies in part on diminished expectations, which at least from a ratings standpoint might be the best thing "Earl" has going for it.
A quickly paced montage augmented by star Jason Lee's aw-shucks voiceover presents Earl as a thieving, lying, hard-drinking bottom-dweller with a brother (Ethan Suplee) who's at least as big a blight on humanity and an ex-wife (Jaime Pressly) who tricked him into marrying her during a drunken stupor.
In one of those life-changing moments that Earl takes as a sign from a higher power, he scratches a winning lottery ticket only to abruptly (and pretty hilariously, with "I'm a Loser" playing in the background) misplace it, which briefly lands him in the hospital.
Watching TV in bed, NBC's own latenight guru, Carson Daly, introduces Earl to the meaning of karma, inspiring his self-appointed mission to do right by all those he wronged in the past as his "road map to a better life."
Of course, this do-gooding thing is new to Earl, and his first beneficiary, a schoolmate he tormented named Kenny (Gregg Binkley), isn't initially interested in any assistance -- especially when Earl decides the way to help is to find him a woman, which isn't the direction ol' Kenny swings.
Lee brings such a goofy, dimwitted earnestness to the role that it's hard not to smile at him, what with his hair perpetually disheveled and one eyebrow askew. Moreover, series creator Greg Garcia (whose credits -- go figure -- include CBS' lightly regarded "Yes, Dear") has a good ear for his simpleminded approach to life, which has a way of working out almost in spite of his misguided efforts.
The other characters aren't quite so convincing, though Suplee exhibits a daft, dazed look as Earl's brother who becomes "unpredictable" after too many beers, while Nadine Velazquez is a welcome addition to this year's bumper crop of sexy Latina comic support. Fortunately, "Earl" is pitched so broadly that no one should be offended, including rednecks.
The show's demeanor, in fact, is essentially that of the Coen brothers' "Raising Arizona," which is to say more an arthouse snack than a full-blown meal. With NBC lacking a solid comedy foundation, the network can only hope that "Earl" and companion "The Office" prove an acquirable taste capable of building a loyal core following.
Back when Grant Tinker took over a then-ailing NBC in the '80s, he famously told his lieutenants: "First be best. Then be first."
"My Name Is Earl" isn't the best comedy around, but it's pretty darn good. As for being first, well, it's probably going to be a while before that little bit of karma pays off.
A Review from The New York Times
TV Review | 'My Name Is Earl'
Earl's Real Name Is Second Chance and Redemption
By ALESSANDRA STANLEY
Published: September 20, 2005
Offbeat and utterly charming, "My Name Is Earl" is about a search for redemption after a fall from grace - NBC's fall from grace.
Last season, the network plunged from first to last place in the ratings, the television equivalent of watching a winning lottery ticket float away in the breeze. It's the kind of ill fortune - or karma - that would make even the sturdiest egos think twice about their choices.
Jason Lee plays Earl, a lowlife redneck who loses a lottery ticket and becomes convinced while watching Carson Daly on television that his luck won't change until he makes amends for all his bad deeds.
NBC executives must have had a similar epiphany.
"My Name Is Earl" is the network's first new sitcom that has wit and its own pace and tone, decidedly different and better than NBC's recent slew of "Friends" imitations or copycat versions of British hits like "Coupling" and "The Office."
NBC, which once championed shows like "Cheers," "Seinfeld" and "Frasier," was reduced last year to churning out multiple editions of "The Apprentice." But it has not yet reached the 12th step of its programming improvement: this season it is doubling down on the Trump card with two "Apprentice" series, one led by Donald Trump, the other by Martha Stewart.
The once haughty network has experienced the kind of humiliating comeuppance that almost rivals Ms. Stewart's, which could explain why she chose NBC as the place to stage her postprison redemption. Just as her new daytime talk show goes to improbable lengths to humanize its hostess (first she was rapping with Diddy and then she taught Diddy how to make his own wrapping paper), some of NBC's acts of atonement are quite shameless.
To promote "Three Wishes," a reality show with the Christian pop singer Amy Grant as host, NBC sent DVD's of the first episode to ministers and other religious leaders, praying that they will urge their rural and suburban flocks to tune in and watch Ms. Grant travel the country, fulfilling the wishes of needy families. NBC mixed its pious message with a little mammon: it also distributed tens of thousands of $1 bills to shoppers, bearing a sticker urging them to watch "Three Wishes."
NBC nevertheless deserves to be rewarded for heeding the better devils of its nature and taking a chance on "Earl," which is not by any means an obvious NBC kind of show; it would fit more naturally on Fox or on HBO.
For one thing, the series is filmed with a single camera, like a movie or "Arrested Development," not in the four-camera format that has dominated television comedy since "I Love Lucy." Mr. Lee ("Mallrats" and "Almost Famous") begins the pilot with a voice-over narration. "You know that guy you see goin' into the convenience store?" he says in a pleasant backwoods drawl. "Sort of shifty looking fellow who buys a pack of smokes, a couple of lottery scratchers and a tall boy at 10 in the morning? The kind of guy you wait to come out of the convenience store before you and your family go in? Well, that's me. My name is Earl."
Flashbacks show Earl being tricked into marriage to a pregnant sexpot, Joy, deliciously played by Jaime Pressly, and settling into contented delinquency with his cheating wife's two bratty children and with Randy (Ethan Suplee), his beer-sucking, do-nothing brother. When Earl buys a winning lottery ticket then loses it, ending up in the hospital and divorced, he realizes that something is not right.
After watching Carson Daly attribute his own success to karma ("What goes around, comes around"), Earl decides to change his life and makes a list of everyone he has harmed in the past, from the one-legged girl whose car he stole to the boy he tormented in elementary school. In each episode, Earl will try to cross someone off his very long inventory; one season will not begin to cover all his misdeeds.
"Earl" is not as spikily satirical and eccentric as "Arrested Development." The farce is softened by sentiment. But Mr. Lee has a lot of charisma and makes Earl endearing, as are his family and oddball friends. And luckily, the series has a wicked spirit coursing beneath its amiable do-good surface, with enough bite to entice viewers and maybe even to bring NBC back from the brink.
My Name Is Earl
NBC, tonight at 9; Eastern and Pacific times; 8, Central time.
Created and written by Greg Garcia; Greg Garcia and Marc Buckland, executive producers. Produced by 20th Century Fox Television.
WITH: Jason Lee (Earl), Ethan Suplee (Randy), Nadine Velazquez (Catalina), Eddie Steeples (Darnell) and Jaime Pressly (Joy).
A Review from USA TODAY
Take the time to really get to know 'Earl'
By Robert Bianco, USA TODAY
Karma can be funny.
Take Earl, a small-time crook who wins the lottery only to lose the ticket. Lucky for us, he finds himself smack in the center of one of the season's brightest new sitcoms, My Name Is Earl.
As perfectly played by film star Jason Lee, Earl is a hick doofus turned do-gooder, convinced by that lost shot at riches that karma requires him to right his ways. Think of Earl as the illegitimate child of Nicolas Cage's ex-con from Raising Arizona and Jane's Austen's Emma — or Clueless's Cher, if you want a more modern reference.
In a season stuffed with "aspirational" reality remakes of Queen for a Day, Earl is a bright comic twist on TV's makeover madness, a man determined to reshape his life and the lives of everyone he has robbed, conned or conked along the way. He hasn't exactly been blessed with excess understanding: "I've never been face to face with a gay before. I understand now that running probably wasn't necessary." But he is trying to improve himself, which makes him a welcome relief from the all those TV frat boys who yearn only to grow ever more stupid and slothful.
Produced by Fox (which would have provided a more suitable home) and created by Yes, Dear's Greg Garcia, Earl shares the look and heavily narrated sound of Arrested Development, but it has its own scruffy comic tone. There aren't many lowlife characters who will warn you up front that "if you took the time to really get to know me ... you'd be wasting your time, because I'm exactly who you think I am."
Having discovered the concept of karma, Earl decides to make up for every bad thing he has ever done. He starts by trying to find a girlfriend for a guy he used to pick on in grade school. He's assisted in his quest by his brother Randy (Ethan Suplee) and his friend Catalina (Nadine Velazquez), and hindered by his bitter ex-wife (Jamie Pressly).
In some ways, Earl is a low-class version of the late, lamented Wonderfalls, and I fear it may share Wonderfalls' too-quickly canceled fate.
Trapped in the middle of an awful lineup, with the already rejected The Office behind it and a loser reality show (The Biggest Loser) in front of it, Earl may find that landing on NBC these days really is the television equivalent of winning the lottery — and dropping the ticket in a paper shredder.
Bad karma, indeed.
A Review from The Washington Post
Earl Defines What It Takes To Be Sorry
By Tom Shales
Washington Post Staff Writer
Tuesday, September 20, 2005;
Earl describes himself as "that guy you see going into the convenience store when you stop off on the way to Grandma's house," a "shifty-looking fella who buys a pack of smokes, a couple of lotto scratchers and a tallboy at 10 o'clock in the morning."
Yeah, so? "If you took the time to really get to know me," Earl goes on, and on, "and find out what kind of person I truly am . . . well, you'd be wasting your time 'cause I'm exactly what you think I am."
That's as informative and accurate a viewer disclaimer as anyone could ask for, fair warning to grab the remote and click yourself free of Earl and his torturously verbose autobiographical gibberish. "My Name Is Earl," the NBC sitcom premiering at 9 tonight on Channel 4, amounts to a character study of a character not worth studying.
Derivative and repetitious, the comedy keeps hitting the same notes, then pounding and stomping on them. Worse, "Earl" will already seem familiar to fans of the wackily rollicking 1987 Coen brothers comedy "Raising Arizona." Jason Lee, who plays Earl, even looks something like Nicolas Cage as he appeared in the film (which also starred a buoyant Holly Hunter).
Cage played a jailbird, petty thief and trailer park philosopher as oddly lovable as he was oddly innocent. Lee is just odd, though in a tame and prefabricated sort of way.
The premise of the show, already familiar from about 5,000 NBC promos, is that upon buying a winning $100,000 lottery ticket and then losing it, Earl experiences an epiphany -- helped along by chatter chatted by a guest on an episode of NBC's gaseous Carson Daly show, here getting a cheap gratuitous plug.
Earl learns the word "karma" and realizes he's been polluting his own by being shiftless, deceitful and unable to resist the lure of thievery. "Do good things and good things will happen to you," Earl deduces. "Do bad things, and they'll come back to haunt you." He makes up a list of the bad things he's done and sets out to correct them.
By this time in the show, all that you are likely to discover, if you're lucky, is a few new ways to yawn. "Earl" will exhaust your repertoire, partly because the narration is so naggingly incessant and because Earl has to explain the premise in detail to everyone he meets. There's also a wink-wink cuteness to the tone of producer Greg Garcia's script that makes Earl insufferable instead of adorable as intended.
Neither situation nor comedy is helped by the presence of Ethan Suplee as Earl's idiot brother Randy, whom only another idiot, such as Earl, would enlist as a collaborator on his mission of restitution. Randy "lives on the couch" in Earl's place, just as comic Steven Wright lived on Dave Chappelle's couch in the slapdash but funny 1998 stoner movie "Half Baked." Randy gets "a little unpredictable" after his fourth beer, and naturally it isn't long before he guzzles that down. Poor excuses for antics insist upon ensuing.
Earl's list of misdeeds includes having bullied a little boy named Kenny James when in school. The bullying, recalled in a quick flashback, naturally includes that knee-jerk comic reflex, a kick in the groin. Earl has to lie to find Kenny, which would seem to add a misdeed to his list, but eventually he does, only to discover Kenny (Gregg Binkley, funnier than Lee) is "a gay." Thus plans to reward him with an afternoon visit from a hooker have to be rethought.
And so on. We learn that the items on Earl's list include No. 86, "stole a car from a one-legged girl," and No. 22, "peed in back of cop car." Gosh, what swell episodes those ought to make. Where "Raising Arizona" was deliciously fresh and nutty in tone, the zany eccentricity in "My Name Is Earl" comes off as forced and wearying. There's a sweet moment here or there, but it's not enough to help, "Well, one down, 258 to go," Earl says of the items on his list near the pilot's conclusion. Even if there were only two to go, the sensible inclination would be to let Earl do them on his own time. There are much less arduous ways of wasting one's own.
My Name Is Earl (30 minutes) premieres tonight in its regular time slot, Tuesdays at 9 p.m. on Channel 4.
An Article from The New York Times
'Trust Me, I'm Funnier With the Moustache'
By DAVE ITZKOFF
Published: January 8, 2006
ONE morning in early December, Jason Lee was standing outside a doughnut shop in the Los Angeles suburb of Van Nuys, his thumbs stabbing furiously at the keyboard of his BlackBerry, when his director abruptly called, "Action!" In a single continuous motion, Mr. Lee slipped the gadget into his jeans pocket and darted into the store, racing out moments later with a box of doughnuts under his arm and a mischievous grin on his face. He performed a few more takes of the simulated theft, each time wearing a different raggedy flannel shirt and that same smirk, then returned to his off-camera position and resumed composing his e-mail messages. "Such is the life of Earl Hickey," Mr. Lee said with a shrug.
He appears bound by more than family ties to Ethan Suplee, who plays Earl's brother, Randy.
Four months into his run as the title character on NBC's "My Name Is Earl," Mr. Lee understands that the boundary between his on-screen alter ego - a likable loser determined to make amends to everyone he's ever wronged - and his own identity has been obliterated. Fans of the sitcom who don't know Mr. Lee's name now feel perfectly comfortable addressing this 35-year-old actor in public as "Hey, Earl!" And last week, NBC moved "My Name Is Earl" (on which Mr. Lee also serves as a producer) into the 9 p.m. Thursday time slot that has traditionally served as the cornerstone of the network's prime-time lineup.
All of which makes it that much harder for Mr. Lee to cast himself in the role that audiences most closely associate with him: the perennial underdog. "Everybody keeps asking, 'How does it feel to be saving NBC?' " Mr. Lee said while eating barbecue potato chips. "I'm just trying to get enough sleep to be back at work at 6 a.m. the next day."
Still, Mr. Lee would like to draw a few distinctions between himself and his shiftless television persona. "Earl was one of those kids that hung out at the arcade, smoked weed and stole people's quarters to play pinball," he said. "I was more the athletic Orange County kid who surfed and skateboarded and raced bicycles."
In fact, to legions of Southern Californians, Mr. Lee was best known during the late 1980's and early 90's as one of the region's most accomplished professional skateboarders, and as a co-owner of Stereo Sound Agency, a company that makes avant-garde skateboarding gear, videos and clothing.
"When everyone was doing skateboard videos with punk-rock soundtracks, he was using jazz music," said Ethan Suplee, who plays Mr. Lee's dimwitted brother, Randy, on "Earl." "He was making skateboards that had Jean Harlow's face when everyone was using comic-book graphics. It's almost too pretty to ride - it's a piece of artwork."
When Mr. Lee temporarily retired from the sport - at the ripe old age of 24 - and embarked on an acting career, his earnestly chatty approach to auditioning made him a welcome presence in casting sessions. "He had never really acted before, but we just dug him so much as a person that we kept asking the casting director to bring him back," said the director Kevin Smith, who gave Mr. Lee his first major film role in the 1995 comedy "Mallrats." "We didn't know anybody in Los Angeles, so we decided to just hang out with Jason when he came to audition."
In Mr. Smith's next movie, the postmodern romantic comedy "Chasing Amy," it was Mr. Lee's performance as a smart-alecky but sensitive comic-book artist that introduced him to a wider audience. "His humor can be heartbreaking, but there's always that moment where Jason finds an answer or has a breakthrough, and he'll pause, and that smile busts out," said Cameron Crowe, who cast Mr. Lee as the cynical rock musician Jeff Bebe in the film "Almost Famous." "He made the character a fragile ego in need of a lot of love."
While Mr. Lee continued to work steadily after "Chasing Amy," he was most often found playing sidekicks to established stars like Tom Cruise (in Mr. Crowe's film "Vanilla Sky") and Will Smith (in Tony Scott's "Enemy of the State").
"Jason can be a tricky actor, because you never see him the same way twice, and yet he seems like the guy who lives down the street," said the filmmaker Brad Bird, who cast Mr. Lee as the voice of the villain Syndrome in his 2004 animated feature, "The Incredibles." "Anybody that is smart enough can see his potential, but it requires that people think of him in a variety of different ways, and that's something that Hollywood doesn't always do well."
Mr. Lee said he preferred not to have his name atop the marquee, anyway. "With that comes more responsibility," he said, "and more weight on your shoulders. You don't get as much to play with as the sidekick or the friend who's got problems. The leading man doesn't get to have eccentricities."
But when Mr. Smith tried to make a prequel to the Chevy Chase comedy "Fletch" for Miramax, he was discouraged by the studio from casting Mr. Lee in the title role. "From Day 1, I was going, 'Jason is fantastic, Jason will pull it off, Jason, Jason, Jason,' " Mr. Smith said. "And for five years, I was repeatedly told: 'No, because Jason's just not a leading man. Jason is a second banana.' "
Last year, when the producers of "My Name Is Earl" approached Mr. Lee to star in the pilot, it was Mr. Lee who had to be won over. "I never, ever, ever, ever wanted to do TV," Mr. Lee said, "but when I read the script, it read like the first 30 pages of a feature film. I couldn't believe it was TV, and I couldn't believe it was NBC."
After much contemplation, Mr. Lee finally signed onto "Earl" as both an actor and a producer, taking an active role in casting guest stars and selecting music for the show, and siding with his production team in a dispute over the scuzzy mustache that has since become synonymous with his character. "It was like a two-, three-day battle with NBC over whether he could have facial hair," said Greg Garcia, the creator and executive producer of "Earl." "I knew once I shaved him, I would lose. But Jason just said, 'Trust me - I'm funnier with a mustache.' "
Since the debut of "Earl" in September, Mr. Lee and his mustache have attracted some of NBC's biggest audiences of the season, and they are now in the same time slot that "Cheers" and "Seinfeld" both called home. Though the schedule change will put "Earl" in the direct line of fire of "CSI," executives at NBC said they were optimistic that the show's quirky sensibility would help the network reclaim what was once its signature night.
"Even if it is not doing the kind of numbers that Thursday has traditionally done, remember that many of the comedies that ultimately became monsters there started from even more humble origins," said Kevin Reilly, NBC's president of entertainment. "A former crook trying to right wrongs is just as unlikely to be watchable as the unemployed, relationship-stunted gang on 'Seinfeld.' "
Mr. Lee said the success of "Earl" was not so much a reflection on him as it was an endorsement of an idiosyncratic sensibility that is in short supply on network television. He pointed to a recent episode of the show, which featured on its soundtrack the rarely heard song "Time Has Told Me" by the singer-songwriter Nick Drake, as emblematic of the risks he hoped "Earl" would continue to take in its new time slot. "When you're making a television show on a mainstream network like NBC, it's harder to break the rules, and the fact that we're doing that is an accomplishment," he said. "I mean, has there ever been a show on NBC with a freaking Nick Drake song in it?"
But many of Mr. Lee's friends say the greatest achievement of "Earl" has been to shine a spotlight on one of Hollywood's best-kept secrets. "It's been 10 years coming for Jason," Mr. Smith said. "Driving down Sunset Boulevard and seeing a billboard with your friend's face on it - and that friend, for once, isn't Ben Affleck or Matt Damon - is a phenomenal feeling."
An Article from USA TODAY
Jaime Pressly makes a name for herself
Updated 9/20/2006
By Donna Freydkin, USA TODAY
NEW YORK — She's a brassy, brash babe brimming with self-confidence on NBC's hit My Name Is Earl, which returns for its second season tonight (8 ET/PT).
But when she was 15, after she switched from gymnastics and dance to modeling, Jaime Pressly, now 29, grappled with some heavy body issues.
"I was like Mary Lou Retton. I couldn't lose any weight because it was all muscle, and it mattered that I was too heavy. So I was working out every day, but all I was doing was building more muscle. I wouldn't eat. And then I started — you know," she says, making a gagging noise and pointing to her throat. "That lasted a whole month. It wasn't working, anyway."
Pressly's bulimia ended after her best friend's boyfriend pulled her out of the bathroom in the apartment she shared with her mother, threw her on her bed and yelled at her.
Today, Pressly keeps her shape by working out with a trainer.
"I'm not going to starve myself. I'm Southern: I love to eat, so I work out so I can eat," says the North Carolina native, who now practices kickboxing.
And that penchant for blue-collar cooking is about the only characteristic she shares with her My Name Is Earl alter ego, Joy.
Joy is the gum-smacking, hip-cocking, fast-talking ex-wife of lottery winner Earl (Jason Lee) on NBC's Emmy-winning hit. Pressly, who earned her first Emmy nomination this year, is under strict orders to say nothing about upcoming plot points. But rest assured that egocentric Joy will remain her unvarnished self.
"She's the same, if not worse, and gets into quite a bit of trouble," Pressly says. "She will tell a man like it is in two seconds, because she believes it like the day is long."
As for Pressly, "I don't speak that way in general, but I definitely have that side of me. I refuse to let someone walk all over me."
Pressly, who heretofore had parts in 2001's Joe Dirt and Not Another Teen Movie, is unapologetically proud of her nomination. "It's a huge deal for me. It sheds some light on my acting ability.
"For a long time, people would typecast me because I'm from the South. They would be like, 'Oh, she must be white trash; she must really speak that way.' But the character of Joy — that's not how anybody in North Carolina speaks. I combined four accents. People didn't realize that I worked really hard on that."
She's equally outspoken about the joylessness in losing the Emmy to Will & Grace's Megan Mullally.
"Mine was the first category, and that's rough," says Pressly, who'll be a guest on Mullally's syndicated talk show. "In the front row, you can't hide anything. But I never expected to win. It's my first nomination."
When she's not spending 14-hour days on the Earl set, Pressly avoids the Hollywood party scene. She lives in the San Fernando Valley with her boyfriend, DJ Eric Cubiche, and their boxers, Joe Louis and Muhammad Ali.
"When you are off, the last thing you want to do is go out and talk to all the same people. It's a job," she says. "I come home after work, and we make dinner. I love cooking. And take a shower and get into bed. We watch TiVo. That's our guilty pleasure. We just watched Rock Star: Supernova."
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