AKA
04-11-2004, 11:08 PM
One...
two...
three...
four...
One, two, three, four!
August 5, 1966. A normal day in merry olde England, save for the fact that the kids were packing the record stores to pick up The Beatles' latest album. That record, Revolver, is considered by many to be the beginning of the "second half" of The Beatles' career.
Revolver, The Beatles eighth album, is the last to follow the "fourteen songs an LP" formula. Here's the tracklist:
Side One:
Taxman (Harrison)
Eleanor Rigby (Lennon/McCartney)
I'm Only Sleeping (Lennon/McCartney)
Love You To (Harrison)
Here, There And Everywhere (Lennon/McCartney)
Yellow Submarine (Lennon/McCartney)
She Said, She Said (Lennon/McCartney)
Side Two:
Good Day Sunshine (Lennon/McCartney)
And Your Bird Can Sing (Lennon/McCartney)
For No One (Lennon/McCartney)
Doctor Robert (Lennon/McCartney)
I Want To Tell You (Harrison)
Got To Get You Into My Life (Lennon/McCartney)
Tomorrow Never Knows (Lennon/McCartney)
Here I am, sitting in my computer chair, trying to come up with the best way to describe Revolver. How do you review one of the best albums ever made? Where do you start?
Revolver is a landmark album. It's the one that broke all the barriers. All the aspects of rock that were presented before this album were just that - aspects. Can you imagine a rock album with strings or brass instruments? Chances are, you probably hadn't heard one before the release of Revolver (Phil Spector's "wall of sound" notwithstanding).
What can I say about Revolver? What should I say about it?
Well, Revolver is heavily influenced by acid. "She Said, She Said" is based on a drug trip and "Doctor Robert" is about John Lennon's dealer.
George Harrison's "Taxman" lashes out at the government, while Paul McCartney's is a gloomy ballad about a lonely old woman.
And then, of course, there's "Yellow Submarine..."
How do you write a coherent review of that? I have no idea. It might be writer's block on my part. Let's hand this over to my fail-safe: Stephen Thomas Erlewine of the All Music Guide.
All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either — Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there, as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.
Previous albums:
Please Please Me (http://www.sitcomsonline.com/boards/showthread.php?threadid=100547) (1963)
With The Beatles (http://www.sitcomsonline.com/boards/showthread.php?threadid=101481) (1963)
A Hard Day's Night (http://www.sitcomsonline.com/boards/showthread.php?threadid=102404) (1964)
Beatles For Sale (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=102919) (1964)
Help! (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=103610) (1965)
Past Masters Volume One (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=104326) (1988)
Rubber Soul (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=105066) (1965)
See also:
Sgt. Pepper's Lonely Hearts Club Band (http://www.sitcomsonline.com/boards/showthread.php?s=&postid=1659529) (1967)
Magical Mystery Tour (http://www.sitcomsonline.com/boards/showthread.php?s=&postid=1670602) (1967)
Yellow Submarine (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=107978) (1969)
The Beatles (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=108635) (1968)
Let It Be (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=109387) (1970)
Past Masters Volume Two (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=110082) (1988)
Abbey Road (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=110655) (1969)
Beatle Facts (http://www.sitcomsonline.com/boards/showthread.php?s=&postid=1686371)
two...
three...
four...
One, two, three, four!
August 5, 1966. A normal day in merry olde England, save for the fact that the kids were packing the record stores to pick up The Beatles' latest album. That record, Revolver, is considered by many to be the beginning of the "second half" of The Beatles' career.
Revolver, The Beatles eighth album, is the last to follow the "fourteen songs an LP" formula. Here's the tracklist:
Side One:
Taxman (Harrison)
Eleanor Rigby (Lennon/McCartney)
I'm Only Sleeping (Lennon/McCartney)
Love You To (Harrison)
Here, There And Everywhere (Lennon/McCartney)
Yellow Submarine (Lennon/McCartney)
She Said, She Said (Lennon/McCartney)
Side Two:
Good Day Sunshine (Lennon/McCartney)
And Your Bird Can Sing (Lennon/McCartney)
For No One (Lennon/McCartney)
Doctor Robert (Lennon/McCartney)
I Want To Tell You (Harrison)
Got To Get You Into My Life (Lennon/McCartney)
Tomorrow Never Knows (Lennon/McCartney)
Here I am, sitting in my computer chair, trying to come up with the best way to describe Revolver. How do you review one of the best albums ever made? Where do you start?
Revolver is a landmark album. It's the one that broke all the barriers. All the aspects of rock that were presented before this album were just that - aspects. Can you imagine a rock album with strings or brass instruments? Chances are, you probably hadn't heard one before the release of Revolver (Phil Spector's "wall of sound" notwithstanding).
What can I say about Revolver? What should I say about it?
Well, Revolver is heavily influenced by acid. "She Said, She Said" is based on a drug trip and "Doctor Robert" is about John Lennon's dealer.
George Harrison's "Taxman" lashes out at the government, while Paul McCartney's is a gloomy ballad about a lonely old woman.
And then, of course, there's "Yellow Submarine..."
How do you write a coherent review of that? I have no idea. It might be writer's block on my part. Let's hand this over to my fail-safe: Stephen Thomas Erlewine of the All Music Guide.
All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either — Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there, as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.
Previous albums:
Please Please Me (http://www.sitcomsonline.com/boards/showthread.php?threadid=100547) (1963)
With The Beatles (http://www.sitcomsonline.com/boards/showthread.php?threadid=101481) (1963)
A Hard Day's Night (http://www.sitcomsonline.com/boards/showthread.php?threadid=102404) (1964)
Beatles For Sale (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=102919) (1964)
Help! (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=103610) (1965)
Past Masters Volume One (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=104326) (1988)
Rubber Soul (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=105066) (1965)
See also:
Sgt. Pepper's Lonely Hearts Club Band (http://www.sitcomsonline.com/boards/showthread.php?s=&postid=1659529) (1967)
Magical Mystery Tour (http://www.sitcomsonline.com/boards/showthread.php?s=&postid=1670602) (1967)
Yellow Submarine (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=107978) (1969)
The Beatles (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=108635) (1968)
Let It Be (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=109387) (1970)
Past Masters Volume Two (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=110082) (1988)
Abbey Road (http://www.sitcomsonline.com/boards/showthread.php?s=&threadid=110655) (1969)
Beatle Facts (http://www.sitcomsonline.com/boards/showthread.php?s=&postid=1686371)